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(2 x PMC6 + 2 x PMC8 Sub)
In the case of the PMC6, the bass response of the resulting XBD monitor combination is extended from 39Hz down to 25Hz — giving genuine midfield monitor performance in a compact installation — and the speaker becomes a true three-way design. Also, since the mid-bass driver no longer handles the lowest bass frequencies, distortion is reduced, headroom is extended, and the mid-range frequencies gain extra clarity to lend vocals still greater realism and depth.
It’s simple to configure the PMC6 XBD system; connect the input directly to the PMC6, and add an AES3 digital cable to carry the main monitor ‘through’ output down to the PMC8 SUB. The two cabinets can be connected either to a LAN or directly to each other via their network ports. When you select the dedicated ‘XBD’ mode the DSP seamlessly combines both units into a single, larger-scale monitor. Further detailed configuration can be carried out from the rear-panel controls or using the intuitive SoundAlign™ browser-based software via the LAN connection, where both speakers appear as a single PMC6 XBD unit when linked.
- 3-way active, twin cabinet, mid-field reference monitor with ATL™ bass loading
- Frequency response: 25Hz - 25kHz (- 3dB @1m full space, on-axis)
- State-of-the-art Class-D amplifiers: HF 200W, LF 200W, SUB(XBD) 300W
- Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate)
- Digital ‘through’ output (AES3 24-bit 96kHz)
- SoundAlign™ network control interface for single or group EQ & settings
- Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
PMC 6 SPECIFICATIONS Type:Active 2-way nearfield reference monitor with ATL™ bass loading Drive Unit Complement:
LF PMC 150mm (6”) studio 6 driver
HF PMC 27mm (1”) soft dome tweeter
Effective ATL™ Length:1.8m (5.9ft) Frequency Response:39Hz - 25kHz (- 3dB) (@1m full space, on-axis) Sensitivity:+4dBu input signal = 98dB SPL @ 1m Max continuous SPL :106dB @1m
(Half space value calculated as +3dB from full space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration) Max Peak SPL :118dB @1m
(Half space value calculated as +3dB from full space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration) Directivity:
H +/-60 degrees
V +50/-40 degrees (-6dB off axis @10kHz)
Input :XLR switchable between analogue & digital AES3
Analogue input
- +20/+24dBu max. input level (selectable)
- 22K ohm input impedance
Digital input
- 16/24-bit AES3 signal, left, right or left + right
- 18 - 192kHz sample rate
- 110 ohm input impedance
Expansion card slot
- For future connectivity upgrades
Ouput :XLR digital AES3 (fixed 24-bit @ 96kHz) Network :RJ45 for use with PMC SoundAlign web interface Features :Level Trim (+/-10dB)
Orientation (portrait, landscape, auto)
High-pass filter (20 - 200Hz, 12dB/Oct)
Delay (0 - 30mS) Phase (normal or inverted)
LF & HF shelving filters (20Hz - 20kHz, +/- 10dB, Q 0.707)
Parametric EQ (5 bands, 20Hz - 20kHz, +/- 10dB)
User presets (3 + factory defaults) Latency :2.4mS Amplifier Power per Channel:
LF 1 x 200Wrms
HF 1 x 200Wrms
Mains :100 - 240VAC auto-switching, 50-60Hz (IEC C14) Power consumption (idle) :35W Power consumption (max) :400W Dimensions:
Cabinet dimensions Portrait
H 400mm (15.7”)
W 215mm (8.5”)
D 372mm (14.6”)
Cabinet dimensions Landscape
H 215mm (8.5”)
W 400mm (15.7”)
D 372mm (14.6”)
Weight:11.1kg (24.4lbs) each
3-way active, twin cabinet, mid-field reference monitor with ATL™ bass loading
Frequency response: 25Hz - 25kHz (- 3dB @1m full space, on-axis)
State-of-the-art Class-D amplifiers: HF 200W, LF 200W, SUB(XBD) 300W
Analogue/AES3 digital input (16/24-bit, 18 -192kHz sample rate)
Digital ‘through’ output (AES3 24-bit 96kHz)
SoundAlign™ network control interface for single or group EQ & settings
Sophisticated DSP crossover, driver protection, EQ, and delay/polarity options
PMC 8 SUB SPECIFICATIONS Type:Active subwoofer with an 8-inch bass driver and ATL™ bass loading Drive Unit Complement:
LF PMC 200mm (8”) studio 8 driver
Effective ATL™ Length: Frequency Response:25Hz - 500Hz (- 3dB) (@1m full space, on-axis) Sensitivity: Max continuous SPL :109dB @1m
Quarter space value calculated as +3dB from half space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration) Max Peak SPL :121dB @1m
(Quarter space value calculated as +3dB from half space measurement. Unweighted input, 20-20kHz Pink Noise (IEC) with 12dB CF for 2 hours AES2-1984 duration) Directivity: Input :XLR switchable between analogue & digital AES3
Analogue input
- +20/+24dBu max. input level (selectable)
- 22K ohm input impedance
Digital input
- 16/24-bit AES3 signal, left, right or left + right
- 18 - 192kHz Sample Rate - 110 ohm input impedance
Expansion card slot
For future connectivity upgrades Ouput :XLR digital AES3 (fixed 24-bit @ 96kHz) Network :RJ45 for use with PMC SoundAlign web interface Features :Level Trim (+/-10dB)
High-pass/Low-pass filter (20 - 200Hz, 12dB/Oct)
Delay (0 - 30mS) Phase (normal or inverted)
LF & HF shelving filters (20Hz - 20kHz, +/- 10dB, Q 0.707)
Parametric EQ (5 bands, 20Hz - 20kHz, +/- 10dB)
User presets (3 + factory defaults) Latency :2.4mS Amplifier Power per Channel: Mains :100 - 240VAC auto-switching, 50-60Hz (IEC C14 Power consumption (idle) :25W Power consumption (max) :300W Dimensions:
H 266mm (10.5”)
W 551mm (21.7”)
D 440mm (17.3”)
Weight:18.5kg (40.8lbs) each
https://pmc-speakers.com/studio/pmc-6-xbd
Our products are also found at all levels of the professional music recording, audio post-production and broadcast industries. From the bedroom studios of the 'next big things' to the acoustically treated hush of the world's finest outside broadcast vehicles, movie soundstages, recording and mastering studios, and from the project studios of big-name stars and their producers and engineers to the boardrooms and listening stations at major record companies, our products are woven into the fabric of the audio business.
PMC's loudspeakers are a full-range proposition, in every sense of the word. Our products for music and audio professionals extend from compact passive monitors at one end of the spectrum to multi-driver active speakers at the other, and cover all points in between, including cutting-edge analogue and digitally amplified models with DSP.
