Kategorier
- SoundTools/RAT Audio Over Cat5/6 Ethernet Cable
- Vårsalg
- Salg 500 Serie Moduler+
- Vårsalg Mikrofoner
-
AD/DA konvertere + Format konvertere
- Prism Sound AD/DA Dolby ATMOS
- Dangerous Music AD/DA
- Solid Stage Logic(SSL) AD/DA
- Cranborne Audio
- WesAudio AD/DA
- Harrison DANTE
- Freqport AD/DA
- Metric Halo
- Audient ASP
- Lynx Studio
- Black Lion Audio AD
- Appsys Pro Audio
- Rupert Neve Desgns AD
- Focusrite AD/DA
- Pro Tools HD/HDX/HD Native I/O
- RME-Kontakt oss!
- SPL AD/DA
- Universal Audio AD
-
Analog Signalbehandling
- Wes Audio
- Gainlab Audio
- Dangerous Music
- Black Box Analog Design
- D.W.Fearn
- Solid Stage Logic(SSL)
- elysia
- Wolf Audio
- Rupert Neve Designs
- API
- Buzz Audio
- Z&H Designs
- Golden Age Premiere 73
- Golden Age Project
- Tegeler Audio Manufaktur
- Hum Audio Devices
- Freqport Tube FT1
- Chameleon Labs
- Cranborne Audio Rack
- Cranborne Audio 500
- Pope Audio
- Serpent Audio
- rockruepel
- Sabria Audio
- Harrison Audio
- Manultec
- Maselec
- Universal Audio
- Emperical Labs
- Warm Audio
-
500 Rack
- Emperical Labs 500
- Dangerous Music 500
- Gainlab Audio 500
- Z&H Designs 500
- Wolf Audio 500
- Hazelrigg Industries 500 Series
- Pope Audio 500 Series
- Serpent Audio 500
- Harrison
- SPL 500
- Black Lion Audio 500
- Buzz Audio 500
- Cranborne Audio 500R
- Elysia 500 Series
- Golden Age Project 500
- Radial
- Rupert Neve Design 500 Series
- SSL 500 Serie
- Tegeler Audio 500 Series
- Wes Audio 500
- AMS-Neve
- Black Lion Audio
- Freqport Tube
- Rupert Neve Designs 500
- SPL Pro Audio
- TubeTech(Kontakt oss!)
- Analoge Miksere
- Analoge/Digitale Patchbay
- Apple Computer
- AVID
- Datalagring
- Digital and Analog FX
- Decksaver
- Digitale Miksere
- Effektforsterkere
- Hodetelefoner/Headphones
- Kabler
- Keyboards
- Lydkort
- Masterclock til Studio,Video,Broadcast
- Mikrofoner
-
Mikrofonforsterkere
-
En kanal
- Emperical Labs Mic Pre
- Rupert Neve Designs Mic Pre
- Wolf Audio Mic Pre
- Harrison Audio Mic Pre
- Sabria Audio Mic Pre 1 chn
- Chameleon Labs Mic Pre
- Gainlab Audio Channel Strip
- Black Lion 1 chn
- Buzz Audio mic pre
- Cranborne Audio Mic Pre
- elysia micpre1
- Golden Age
- SSL(Solid Stage Logic)
- Universal Audio
- Warm Audio Mic Pre
- Wes Audio Mic Pre
- Multi kanaler
- To Kanaler
-
En kanal
- Mikser/Plug In Kontroller
- Modular/Guitar FX/Etc.
-
Monitorkontroller
- Dynaudio Monitor Controller
- Trinnov Monitor
- Wolf Audio Monitor
- CB Electronics(Colin Broad)Monitor Controllers
- Flock Audio Switch
- Gainlab Monitor Controller
- Radial Monitorcontroller
- Genelec UNIO
- Prism Sound DAC/Headphone Amp
- Audient
- Crane Song(Kontakt oss!)
- Dangerous Music Monitor
- Presonus Monitor/Headphone Amp
- Sonarworks mon
- SPL
- OWC-Other World Computing
- Portable Opptakere
- Power Conditioner/Strømrens
- Romkalibrering
- Software
- IsoAcoustics Isolation Prouducts
- Studiomonitorer
- Studio Monitor Stands
- Synthesizers
- Studiomøbler
- ThunderBolt til PCIe Chassis
- Universal Audio OX Amp Top Box
- USB/Midi Keyboard/Controllers
comp.two(version 2).
The comp.two is built on fully-balanced tube-circuitry. The main audio path consists of SOWTER input- and output transformers (SOWTER), two high-end coupling capacitors, input- and output-tubes (NOS 6N3 and 6CG7).
The „true“ dual mono-design has separate power supplies for every channel. The potentiometers are encapsulated, quality products from ALPS. The VU-meters can be calibrated with a trim-pot hidden behind small holes in the rugged front plate. All switches use relays or directly determine control voltage. The two bypass-switches separate circuitry, so that only input directly connects with the output (true bypass). An IC is used to regulate the VU-Meter. Apart from that circuitry, the comp.two consist of discrete components and is hand wired in Germany.
In addition to the essential controls such as input, output, threshold, attack and release, the comp.two provides a side chain with an integrated four-stage filter. (Flat, 50, 74, 110 and 160 Hz). This filter takes out high-energy bass frequency that could otherwise affect the compressor’s behavior. The special “amp-only” -mode uses only the in- and output-stages and not the compression.
Some may say: “Tube-compressors sound good but they are too slow. I prefer VCA-compressors because of their speed“. The comp.two accomplishes both, with an attack up to 600 µs it is extremely fast but it also has a soft and really musical knee compression for your sound processing.
• Audiophile, fully symmetrical design
• Aluminium chassis with 6 millimeter front plate
• SOWTER-transformer
• ALPS-pots
• VU-Meter (manual calibration)
• Output tube : 6CG7
• Input tube : NOS 613P
• WIMA-dual capacitor
• Amp-Only-Mode
• Real bypass
• Dual Mono with separate power supply
• Sidechain-Control (54, 74, 110, 160 Hz)
