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ATLAS + PT HDX MDIO Option Card!
MDIO PRO TOOLS HDX
DELIVERING THE WORLD'S GREATEST SOUND TO PRO TOOLS
Prism Sound delivers the most digitally accurate solution for recording with Pro-Tools with the MDIO-HDX card for Atlas and Titan.
The card allows multiple units to be connected directly to an AVID Pro Tools HDX or HD Native system via AVID’s “Digilink” connection delivering complete expandability. This has made Atlas and Titan the foundation of Pro-Tools systems worldwide.
The demand from professionals for ever increasing levels of performance has ensured the Prism Sound Atlas and Titan have become go to solutions for those which require more from their Pro-Tools systems.
REFERENCE GRADE EXPANDABLE PRODUCTION INTERFACE
Atlas and Titan are world class multi-track interfaces offering flexible expansion and unsurpassable sonic clarity. Using the latest generation of Prism Sounds trusted conversion, Atlas provides more preamps than Titan making it suitable for a wider range of recording scenarios.
UNSURPASSED CLOCKING AND JITTER REJECTION
Prism Sounds history in developing test and measurement equipment for the audio industry has allowed our engineers to get a much deeper understanding of digital clocking and its associated issues.
DIGITAL MIXER WITH FLEXIBLE MONITORING
Atlas has a powerful built-in digital mixer that can be configured to provide a multitude of ultra low latency feeds, Including foldback to performers, stereo and surround outputs.
MIC PREAMPS
The Atlas boasts 8 ultra-clean, low-noise microphone preamps that perfectly compliment its transparent A/D conversion (with software controllable phantom power, -20dB pad and Overkiller limiter switches on each channel.)
FUTURE PROOF CONNECTIVITY
With a standard USB connection Atlas can connect to the widest range of computers today and for the foreseeable future. Add to this the option of ProTools HDX and Dante modules for the most flexible and professional solution.
MDIO
MULTI-CHANNEL I/O EXPANSION
Atlas & Titan support Prism Sound’s MDIO expansion cards, which provide alternative “host” connections. The “host” is usually a computer and the Atlas or Titan interface provides a means of connection between the host and the external analogue and digital audio I/O ports.
The MDIO expansion slot provides an alternative host connection. It does not necessarily disable the USB port, but in the case of the Pro Tools interface MDIO-PTHDX, the USB port is switched off when the Pro Tools interface is to be used.
TECH SPECS
| Instrument Inputs | 2 x 6.3mm mono jack sockets, auto-select to analogue inputs 1 & 2 when plugged |
| Headphone Outputs | 2 x 6.3mm stereo TRS Jacks, each with illuminated volume control |
| Master volume | Assignable encoder / push switch with halo indication |
| Standby button | with standby indicator (also flashes when unit is in ‘identify’ mode) |
| Level Meters | 10 x multi-segment bargraphs with overload indication, 8 for analogue, 2 for digital, assignable to inputs or outputs |
| Input selection | Indicate mode of analogue inputs 1-8 as Mic / line / inst with phantom power indication for mic mode |
| Overkiller | For every analogue input, lit when Overkiller limiters are acting |
| Digital Input | indicators for digital input unlocked and SRC (sample-rate converter) selected |
| Digital Output | indicator for SRC (sample-rate converter) selected |
| Mic / Line inputs | 8 x combo connectors with XLR sockets for mic input and 6.3mm TRS jack sockets for line input (balanced or unbalanced) |
| Line outputs | 8 x 6.3mm TRS jack sockets (balanced or unbalanced) |
| Digital inputs | 1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical input; (RCA can operate as AES3 input using XLR-RCA adapter supplied) |
| Digital output | 1 x RCA 1 x TOSLINK for S/PDIF or ADAT Optical output; (RCA can operate as AES3 output using XLR-RCA adapter supplied) |
| MIDI I/O | 2 x 5 Pin DIN sockets (in and out) |
| Wordclock | 2 x BNC sockets, output and input (75R) |
| USB port | 1 x USB 2 port |
| MDIO Expansion Slot | For alternative digital multi-channel I/O |
| Mains power | 3-pin 6A IEC inlet |
| Configuration | Electronically balanced, with fully-balanced analogue signal path |
| Input Sensitivity | Switchable ‘+4dBu’ (0dBFS = +18dBu) or ‘-10dBV’ (0dBFS = +6dBu) |
| Input Impedance | 14.5kΩ |
| Unbalanced Mode | Automatic |
| Total harmonic distortion | -117dB (0.00014%, -0.1dBFS) |
| THD+N | -111dB (0.00028%, -0.1dBFS) |
| Dynamic Range | 116dB (-60dBFS) |
| Gain Accuracy | ±0.05dB |
| LF roll-off | -0.05dB at 8Hz; -3dB at <1Hz |
| HF roll-off | fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz |
| CMRR | 20Hz..20kHz: >70dB |
| Inter-channel cross-talk | 1kHz: <140dB; 20Hz..20kHz: <-120dB |
| Inter-channel phase | 10Hz..5kHz: ±0.25°, 5kHz..20kHz: ±1.0°, 20kHz..50kHz: ±2.0°, |
| Overkiller | Progessive limiter, auto-aligning, selectable per channel |
| Impact Filter | High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-4; whether in line, mic or instrument mode) |
| RIAA de-emphasis filter | Response accuracy: ±0.22dB at fs=44.1kHz; ±0.14dB at fs=48kHz; ±0.015dB at other sample rates |
| M-S matrix | Allows direct connection of mid-side mics, or non-matrix mic-preamps (selectable for channels 1-4; whether in line or mic mode) |
| Formats supported | S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK) |
| Sample rates supported | S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz ADAT (8 channel) 44.1 and 48kHz ADAT S/MUX (4 channel): 88.2 and 96kHz |
| Channel Status | ignored |
| Word-length | 24 bit |
| AES3 operation | via S/PDIF RCA, using RCA-XLR adaptor (supplied) |
| Sample-rate converter (SRC) | Selectable at S/PDIF input; allowing input at any sample rate |
| Bit transparency | Maintained (allows recording of Dolby or DTS streams) |
| ormats supported | S/PDIF (RCA or TOSLINK), ADAT, ADAT S/MUX (TOSLINK) |
| Sample rates supported | S/PDIF (2 channel): 44.1, 48, 88.2, 96, 176.4 and 192kHz ADAT (8 channel) 44.1 and 48kHz ADAT S/MUX (4 channel): 88.2 and 96kHz |
| Channel Status | Full implementation, Consumer (S/PDIF) or professional (AES3) |
| Word-length | 24 bit, or reduction to 16 bits using flat TPDF dither or Prism Sound SNS (Super Noise Shaping – four alternative shapes available) |
| AES3 operation | via S/PDIF RCA, using RCA-XLR adaptor (supplied) |
| Sample-rate converter (SRC) | Selectable at S/PDIF output; output rate can be referenced to Wordclock, DI or local clock at 44.1, 48, 88.2, 96, 176.4 or 192kHz |
| Bit transparency | Maintained in 24 bit mode (allows playback of Dolby or DTS streams to external decoder) |
DIMENSIONS
2U 19inch rack mountable
(rubber feet and rack ears supplied)
Table top (inc feet): W: 440mm D: 290mm H: 95mm
Rack-mount (inc ears):
W: 483mm D: 290mm H: 88mm
POWER
90-250VAC, 50/60Hz internal power supply
IEC 6A connector
35W 0.5A(T) 20mm ceramic fuse
Pro Tools and Pro Tools | HDX is a trademark of Avid, a division of Avid Technology Inc.
https://beta.prismsound.com/products/atlas/
