Kategorier
- SoundTools/RAT Audio Over Ethernet
- Vintersalg
- Salg 500 Serie Moduler+
- Vintersalg Mikrofoner
-
AD/DA konvertere + Format konvertere
- Prism Sound AD/DA Dolby ATMOS
- Dangerous Music AD/DA
- Solid Stage Logic(SSL) AD/DA
- Cranborne Audio
- WesAudio AD/DA
- Harrison DANTE
- Freqport AD/DA
- Metric Halo
- Audient ASP
- Lynx Studio
- Black Lion Audio AD
- Appsys Pro Audio
- Rupert Neve Desgns AD
- Pro Tools HD/HDX/HD Native I/O
- RME-Kontakt oss!
- SPL AD/DA
- Universal Audio AD
-
Analog Signalbehandling
- Wes Audio
- Gainlab Audio
- Dangerous Music
- Black Box Analog Design
- D.W.Fearn
- Solid Stage Logic(SSL)
- elysia
- Wolf Audio
- Rupert Neve Designs
- API
- Buzz Audio
- Z&H Designs
- Golden Age Premiere 73
- Golden Age Project
- Tegeler Audio Manufaktur
- Hum Audio Devices
- Freqport Tube FT1
- Chameleon Labs
- Cranborne Audio Rack
- Cranborne Audio 500
- Pope Audio
- Serpent Audio
- rockruepel
- Sabria Audio
- Harrison Audio
- Manultec
- Maselec
- Universal Audio
- Emperical Labs
- Warm Audio
-
500 Rack
- Emperical Labs 500
- Dangerous Music 500
- Gainlab Audio 500
- Z&H Designs 500
- Wolf Audio 500
- Hazelrigg Industries 500 Series
- Pope Audio 500 Series
- Serpent Audio 500
- Harrison
- SPL 500
- Black Lion Audio 500
- Buzz Audio 500
- Cranborne Audio 500R
- Elysia 500 Series
- Golden Age Project 500
- Radial
- Rupert Neve Design 500 Series
- SSL 500 Serie
- Tegeler Audio 500 Series
- Wes Audio 500
- AMS-Neve
- Black Lion Audio
- Freqport Tube
- Rupert Neve Designs 500
- SPL Pro Audio
- TubeTech(Kontakt oss!)
- Analoge Miksere
- Analoge/Digitale Patchbay
- Apple Computer
- AVID
- Datalagring
- Digital and Analog FX
- Decksaver
- Digitale Miksere
- Effektforsterkere
- Hodetelefoner/Headphones
- Kabler
- Keyboards
- Lydkort
- Masterclock til Studio,Video,Broadcast
- Mikrofoner
-
Mikrofonforsterkere
-
En kanal
- Emperical Labs Mic Pre
- Rupert Neve Designs Mic Pre
- Wolf Audio Mic Pre
- Harrison Audio Mic Pre
- Sabria Audio Mic Pre 1 chn
- Chameleon Labs Mic Pre
- Gainlab Audio Channel Strip
- Black Lion 1 chn
- Buzz Audio mic pre
- Cranborne Audio Mic Pre
- elysia micpre1
- Golden Age
- SSL(Solid Stage Logic)
- Universal Audio
- Warm Audio Mic Pre
- Wes Audio Mic Pre
- Multi kanaler
- To Kanaler
-
En kanal
- Mikser/Plug In Kontroller
- Modular/Guitar FX/Etc.
-
Monitorkontroller
- Dynaudio Monitor Controller
- Trinnov Monitor
- Wolf Audio Monitor
- CB Electronics(Colin Broad)Monitor Controllers
- Flock Audio Switch
- Gainlab Monitor Controller
- Radial Monitorcontroller
- Genelec UNIO
- Prism Sound DAC/Headphone Amp
- Audient
- Crane Song(Kontakt oss!)
- Dangerous Music Monitor
- Presonus Monitor/Headphone Amp
- Sonarworks mon
- SPL
- OWC-Other World Computing
- Portable Opptakere
- Power Conditioner/Strømrens
- Romkalibrering
- Software
- IsoAcoustics Isolation Prouducts
- Studiomonitorer
- Studio Monitor Stands
- Synthesizers
- Studiomøbler
- ThunderBolt til PCIe Chassis
- Universal Audio OX Amp Top Box
- USB/Midi Keyboard/Controllers
The COMP-3A is a one channel vintage style Compressor / Leveler. The signal path uses only discrete components like resistors, capacitors and transistors. The input and output is transformer balanced, using two different transformers, each one optimized for its purpose. This is the way audio components were built before integrated circuits became available.
Integrated circuits are small and cheap and widely used in most modern designs. The drawback is that audio components built with modern technology doesn´t always provide the best perceived sound quality or the type of character that the modern user desires.
The subjective sound quality delivered by vintage equipment is often prefered over the one delivered by modern units, a situation that is even more obvious now when music is recorded with clean-sounding digital audio equipment.
This is the reason why so many vintage audio components are cloned and produced again and also why the vintage originals are often very expensive on the second hand market.
The circuit used in the COMP-3A is based on a classic design that uses an electro-luminescent panel and a photoelectric cell to control gain. This gives the COMP-3A a unique, program dependent compression characteristics. In addition, the vintage style signal path adds a wonderful and musical character to the sound. The ease of use with only two main controls makes it very simple to achieve the desired sound. These attributes has made the original units a favourite of engineers and musicians worldwide.
This classic sound is now available at a very affordable price point with the COMP-3A.
FEATURES
- Vintage style electronics. No integrated circuits in the signal path.
- Transformer balanced input and output. Can drive almost any load - balanced or unbalanced.
- Selectable output transformer loading resistors by an internal jumper, will affect the high end frequency response.
- Uses a classic T4-style electro-optical attenuator to control gain with program dependent attack and release times.
- Very simple to operate with only two main controls, Gain and Peak Reduction.
- HF control can make the side-chain circuit more sensitive to mid and high frequency content.
- A big meter selectable to show gain reduction or output level at two different reference levels.
- Hardwire bypass switch for easy comparisons.
- XLR and TRS input and output jacks for flexible connections.
- Link jack and switch for connecting to another unit for stereo operation.
- All external controls located on the front panel.
- External power supply to avoid interaction with the audio circuits and transformers.
- Compact 2RU half rack format. Two units can be mounted with our 19-inch rack kit, the UNITE BIG.
- A solid build quality that will last many years of normal use.
