Kategorier
- Vintersalg
- Salg 500 Serie Moduler+
- Vintersalg Mikrofoner
-
AD/DA konvertere + Format konvertere
- Prism Sound AD/DA Dolby ATMOS
- Dangerous Music AD/DA
- Solid Stage Logic(SSL) AD/DA
- Cranborne Audio
- WesAudio AD/DA
- Harrison DANTE
- Freqport AD/DA
- Metric Halo
- Audient ASP
- Lynx Studio
- Black Lion Audio AD
- Appsys Pro Audio
- Rupert Neve Desgns AD
- Pro Tools HD/HDX/HD Native I/O
- RME-Kontakt oss!
- SPL AD/DA
- Universal Audio AD
-
Analog Signalbehandling
- Black Box Analog Design
- Wes Audio
- Gainlab Audio
- Dangerous Music
- Hazelrigg Industries
- D.W.Fearn
- Solid Stage Logic(SSL)
- elysia
- Wolf Audio
- Rupert Neve Designs
- API
- Z&H Designs
- Golden Age Premiere 73
- Golden Age Project
- Tegeler Audio Manufaktur
- Hum Audio Devices
- Freqport Tube FT1
- Chameleon Labs
- Cranborne Audio Rack
- Cranborne Audio 500
- Pope Audio
- Serpent Audio
- rockruepel
- Sabria Audio
- Manultec
- Maselec
- Buzz Audio
- Universal Audio
- Emperical Labs
- Warm Audio
-
500 Rack
- Emperical Labs 500
- Dangerous Music 500
- Gainlab Audio 500
- Z&H Designs 500
- Wolf Audio 500
- Hazelrigg Industries 500 Series
- Pope Audio 500 Series
- Serpent Audio 500
- Harrison
- SPL 500
- Black Lion Audio 500
- Buzz Audio 500
- Cranborne Audio 500R
- Elysia 500 Series
- Golden Age Project 500
- Radial
- Rupert Neve Design 500 Series
- SSL 500 Serie
- Tegeler Audio 500 Series
- Wes Audio 500
- Black Lion Audio
- Freqport Tube
- Rupert Neve Designs 500
- SPL Pro Audio
- TubeTech(Kontakt oss!)
- Analoge Miksere
- Analoge/Digitale Patchbay
- Apple Computer
- AVID
- Datalagring
- Digital and Analog FX
- Decksaver
- Digitale Miksere
- Effektforsterkere
- Hodetelefoner/Headphones
- Kabler
- Keyboards
- Lydkort
- Masterclock til Studio,Hi-Fi/TV
- Mikrofoner
-
Mikrofonforsterkere
-
En kanal
- Emperical Labs Mic Pre
- Rupert Neve Designs Mic Pre
- Wolf Audio Mic Pre
- Harrison Audio Mic Pre
- Sabria Audio Mic Pre 1 chn
- Chameleon Labs Mic Pre
- Gainlab Audio Channel Strip
- Black Lion 1 chn
- Buzz Audio mic pre
- Cranborne Audio Mic Pre
- elysia micpre1
- Golden Age
- SSL(Solid Stage Logic)
- Universal Audio
- Warm Audio Mic Pre
- Wes Audio Mic Pre
- Multi kanaler
- To Kanaler
-
En kanal
- Mikser/Plug In Kontroller
- Modular/Guitar FX/Etc.
-
Monitorkontroller
- Dynaudio Monitor Controller
- Trinnov Monitor
- Wolf Audio Monitor
- CB Electronics(Colin Broad)Monitor Controllers
- Flock Audio Switch
- Gainlab Monitor Controller
- Radial Monitorcontroller
- Genelec UNIO
- Prism Sound DAC/Headphone Amp
- Audient
- Crane Song(Kontakt oss!)
- Dangerous Music Monitor
- Presonus Monitor/Headphone Amp
- Sonarworks mon
- SPL
- OWC-Other World Computing
- Portable Opptakere
- Power Conditioner/Strømrens
- Romkalibrering
- Software
- IsoAcoustics Isolation Prouducts
- Studiomonitorer
- Studio Monitor Stands
- Synthesizers
- Studiomøbler
- ThunderBolt til PCIe Chassis
- Universal Audio OX Amp Top Box
- USB/Midi Keyboard/Controllers
Description
The R1A is a unique microphone since it is a high quality and low cost vintage style ribbon microphone with active electronics using high end components.
The R1A offers the special and natural sound that has been available in classical microphones like the RCA 44 and 77 that are still used to make high quality recordings today after around 80 years. On top of that, the active circuitry raises the output level considerably to be similar to that of many condenser microphones. This has the good effect that one does not need special high gain microphone preamps when using the R1A on quiet sound sources. It also makes the R1A able to drive long microphone cables without any problems and insures that the sound is consistent with different preamps.
One of the factors that usually changes the sound of passive ribbon microphones is the input impedance of the following microphone preamp. The active output circuitry in the R1A buffers the ribbon and the gain make-up transformer from the outside world and the result is that the R1A will consistently give you maximum performance in any situation.
The R1A is very well suited for the recording of most sound sources like vocals, acoustic instruments, strings, horns, orchestras and choral groups and many live sound applications. In spite of its low cost, the R1A meets the most stringent demands. To get maximum benefit and trouble free use out of the R1A please read this manual carefully.
FEATURES
– The unmatched natural and musical sound of a classical ribbon microphone combined with a discrete amplifier (no integrated coircuits used), powered by standard 48V phantom power, that isolates the ribbon and the gain make-up transformer from the outside world. A stunning realism with the feeling of “being-there” and a fast and life-like transient reproduction.
– The typical large and mellow ribbon sound quality with a very smooth top end and an extended low end.
– An ultra-high SPL capability, 160 dB SPL (1% THD @ 1000Hz) and a very high sensitivity for a ribbon microphone, similar to many condenser microphones.
– Figure-8 directional pattern for wide sweet spots both in the front and in the back of the microphone.
– 50mm long ribbon made of 2 microns thick aluminium foil and an internal shock mount for the ribbon and magnet assembly.
– Selectable high pass filter and -10dB Pad.
– Removable microphone cable built with Mogami Neglex Studio Quad cable and Neutrik XLR goldplated connectors.
– Swedish made Lundahl 1927A transformer.
– High end Wima film and Nichicon electrolytic audio capacitors used in the amplifier.
– Manufactured of the finest materials for a great performance and long-term reliability.
– The R1A can be used with any standard mixer or preamp with a balanced input that can supply 48V phantom power.
– Great sound that suits most sound sources and genres.
– A solid build quality that will last many years of normal use.
SPECIFICATIONS
Type: Large ribbon geometry, pure aluminium, 2 um thick, 50 x 5 mm size with active electronics.
Polar pattern: Figure 8
Frequency response: 30 Hz – 18 kHz +/- 3 dB
Sensitivity: -40 dB (0 dB = 1V/Pa) @ 1 kHz
Equivalent Noise Level (A-weighted per IEC 268-4): < 18 dB typical
Maximum SPL (<1% THD @ 1 kHz): 160 dB. (with Pad engaged)
Output impedance: 200 ohm, balanced
Recommended load impedance: > 1000 Ohms
Current consumption: 4 mA.
Highpass filter: -3dB @160Hz, 6 dB/octave
Pad: -10dB
Dimensions: 69×185 mm.
Weight: 820 g
Check out Christian Svedins video!
