Kategorier
- SoundTools/RAT Audio Over Ethernet
- Vintersalg
- Salg 500 Serie Moduler+
- Vintersalg Mikrofoner
-
AD/DA konvertere + Format konvertere
- Prism Sound AD/DA Dolby ATMOS
- Dangerous Music AD/DA
- Solid Stage Logic(SSL) AD/DA
- Cranborne Audio
- WesAudio AD/DA
- Harrison DANTE
- Freqport AD/DA
- Metric Halo
- Audient ASP
- Lynx Studio
- Black Lion Audio AD
- Appsys Pro Audio
- Rupert Neve Desgns AD
- Pro Tools HD/HDX/HD Native I/O
- RME-Kontakt oss!
- SPL AD/DA
- Universal Audio AD
-
Analog Signalbehandling
- Wes Audio
- Gainlab Audio
- Dangerous Music
- Black Box Analog Design
- D.W.Fearn
- Solid Stage Logic(SSL)
- elysia
- Wolf Audio
- Rupert Neve Designs
- API
- Buzz Audio
- Z&H Designs
- Golden Age Premiere 73
- Golden Age Project
- Tegeler Audio Manufaktur
- Hum Audio Devices
- Freqport Tube FT1
- Chameleon Labs
- Cranborne Audio Rack
- Cranborne Audio 500
- Pope Audio
- Serpent Audio
- rockruepel
- Sabria Audio
- Harrison Audio
- Manultec
- Maselec
- Universal Audio
- Emperical Labs
- Warm Audio
-
500 Rack
- Emperical Labs 500
- Dangerous Music 500
- Gainlab Audio 500
- Z&H Designs 500
- Wolf Audio 500
- Hazelrigg Industries 500 Series
- Pope Audio 500 Series
- Serpent Audio 500
- Harrison
- SPL 500
- Black Lion Audio 500
- Buzz Audio 500
- Cranborne Audio 500R
- Elysia 500 Series
- Golden Age Project 500
- Radial
- Rupert Neve Design 500 Series
- SSL 500 Serie
- Tegeler Audio 500 Series
- Wes Audio 500
- AMS-Neve
- Black Lion Audio
- Freqport Tube
- Rupert Neve Designs 500
- SPL Pro Audio
- TubeTech(Kontakt oss!)
- Analoge Miksere
- Analoge/Digitale Patchbay
- Apple Computer
- AVID
- Datalagring
- Digital and Analog FX
- Decksaver
- Digitale Miksere
- Effektforsterkere
- Hodetelefoner/Headphones
- Kabler
- Keyboards
- Lydkort
- Masterclock til Studio,Video,Broadcast
- Mikrofoner
-
Mikrofonforsterkere
-
En kanal
- Emperical Labs Mic Pre
- Rupert Neve Designs Mic Pre
- Wolf Audio Mic Pre
- Harrison Audio Mic Pre
- Sabria Audio Mic Pre 1 chn
- Chameleon Labs Mic Pre
- Gainlab Audio Channel Strip
- Black Lion 1 chn
- Buzz Audio mic pre
- Cranborne Audio Mic Pre
- elysia micpre1
- Golden Age
- SSL(Solid Stage Logic)
- Universal Audio
- Warm Audio Mic Pre
- Wes Audio Mic Pre
- Multi kanaler
- To Kanaler
-
En kanal
- Mikser/Plug In Kontroller
- Modular/Guitar FX/Etc.
-
Monitorkontroller
- Dynaudio Monitor Controller
- Trinnov Monitor
- Wolf Audio Monitor
- CB Electronics(Colin Broad)Monitor Controllers
- Flock Audio Switch
- Gainlab Monitor Controller
- Radial Monitorcontroller
- Genelec UNIO
- Prism Sound DAC/Headphone Amp
- Audient
- Crane Song(Kontakt oss!)
- Dangerous Music Monitor
- Presonus Monitor/Headphone Amp
- Sonarworks mon
- SPL
- OWC-Other World Computing
- Portable Opptakere
- Power Conditioner/Strømrens
- Romkalibrering
- Software
- IsoAcoustics Isolation Prouducts
- Studiomonitorer
- Studio Monitor Stands
- Synthesizers
- Studiomøbler
- ThunderBolt til PCIe Chassis
- Universal Audio OX Amp Top Box
- USB/Midi Keyboard/Controllers
Originally imagined in 2014, PUMP is a single channel, 500 series rack mount compressor loaded with the kinds of features and performance you’ve come to expect from Empirical Labs. This module has serious heritage and shares family DNA with notable ELI processors including the renowned Distressor, Arousor, and Mike-E. The PUMP is destined to be a “go-to” processor for the creative audio pro that has a toolbox built around no compromise performance, quality, and value.
Starting at the top, PUMP includes controls for Input Level with a clip (BAD) indicator. There are 8 selectable compression ratios from 2:1 to 20:1 and everything in between, each with their own unique curve. Independent digitally-stepped knobs provide precise recall of Attack and Release selections – including a soft Opto-Coupler style Release. PUMP has a switchable 110Hz High Pass Filter, comprehensive Gain Reduction metering, Attack Modification (AtMod) to slow the initial onset of the attack envelope to preserve more transient content for greater overall impact – with a Bypass selection to go dry.
One of the most unique features of PUMP is AtMod, short for Attack Modification. First seen is our Arousor plug-in, AtMod is a feature never before found in a hardware compressor.
AtMod gives users the ability to slow down the initial slope of the attack envelope to add just a little bit more of the transient back into the track. Whether it’s to get a little bit more snap on the snare track or more thump on the electric bass, the AtMod will let the transients through without losing your desired amount of compression.
- Frequency Response
- 5 Hz to 175 kHz (-3dB points).
- Dynamic Range
- 125 dB from maximum output (.5%THD soft clipping) to minimum output.
- Distortion
- Between .0035% and 15% at 1KHz, depending on mode and settings.
- I/O
- Maximum Input before hard clipping – +22dBm, “ Line In” mode. Maximum Output (Mix at 0) – +28.5dBm
- Impedance
- 120k Ohm, Instrument In Mode, output impedance is less than 75 ohms. 20K input impedance in balanced Line in mode.
- Compressor Time Constants
- Attack: 200µs to 40ms. Release: 50ms to 500ms, plus Opto setting. Stereo Linkable for stereo tracks.
- Detector HP Filter
- Switchable, fixed at 110Hz
- Attack Modification (AtMod)
- Slows the initial onset of the attack envelope allowing more transient back into the track.
- Saturation Soft Clipper
- Based on the same circuit found in the Mike-E CompSat section.
https://www.empiricallabs.com/pump/
